The mood, the place, the illuminated building
golden and empty, its construction stalled as
all movement in this area is stalled as in another.
So enter lack, a whitening of the sky
in a winter sunset, its hollowed-out stories, structural posts
keeping the buildings long, flat concrete
floors from slapping one onto the other
recall the marigold, a flower that breaks
into a thousand pieces
leaving us to pine for its solid gathering.
The train ascends the bridge, climbing out of
dense, vivid brickwork into span.
There is also blue
mixed in the white, diluted but careful sense
of girders uniting a canyon dispersed
over river water. The momentary winging out
of city and passage, the near return to a complete
non-sky, unsure of how far away, how near.
Netting encloses the site, loosened and caught
in the wind, flapping open to reveal a pale façade.
Its not that Im unsure. Its something else.
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Emily Wolahan is co-editor of JERRY Magazine and author of poems appearing in New Linear Perspectives, DIAGRAM, and Drunken Boat.
Michael Davis,
Villanelle on a Line from Macbeth
Terese Svoboda,
The Harp and the Machine
Certainty and Surety kills Natural Flow that is so vital in verse.
The beauty of this poem lies in the contrast that it presents: The State Of Being Solid and Concrete and The Imminent Fluidity Of Everything.
Urbanscape is well-brought out with a bit of scope for Intimation With The Nature.
The Poetess deserves praise and pat for penning such poem.
All Movements Stalled. . .Poetry Comes When All Mental-Movements Comes To A Stop. .
Life,like EMILY'S POEMS, swings between The Dense and The Space. . . .The Flower When It Blooms and The Petals Fallen On Ground Bleeding(. .ready to be crushed. .).
Thank You!
From:-
M.JHA
SAMASTIPUR
BIHAR
INDIA.
MJ1982M@twitter.com