for Fabrizio Mondadori
Im retired, Im sitting in a house I made
In my imagination years ago, that now is real.
On the walls are posters from the Harvard
Strike in 1969 I saved for their designs
And then forgot about, and now they’re here:
STOP HARVARD EXPANSION, STRIKE
FOR THE 8 DEMANDS, and then the best of all,
In small red letters with three red bayonets,
rotc kills (pronounced rotsy kills). From here inside
Time seems unreal, Im back in graduate school,
But then the mind ascends and time becomes objective,
Im myself again, at home again, and sixty-four.
The particulars of a life, the pattern of a life:
These are the poles the mind, in the guise of a poem,
Floats back and forth between. The calm elation,
The deflating sigh: the trees are tossing in the wind, the leaves
Unfurl their silvery undersides, the soft clouds drift across the sky.
Time may be an abstraction, but it makes the days go by,
The days I never thought I’d see, when the music of the sixties
Lost its way, became too faint to hear, the voices fell away,
And then it all came down to me. What were those eight demands?
I can’t recall to save my life. I lived there, I breathed that air,
And sometimes some of it drifts back to me. You should join PL,
Paul said as we were sitting in the lounge. Picketing
The GE plant in Lynn didnt much appeal to me, so I just
Said it seemed too hard to square with being married
And finishing my degree. Yes! Thats whats so great about it!
He replied, as I rolled my eyes. Or Jonny Supaks plan
To hold the chairman (Rogers Albritton) hostage in his office:
The kids are stealing underwear from Filenes Basement,
Asking for the Red Army! Wheres the Red Army? theyre asking!
It felt so all-important at the time, in a surreal way, the endless
Back-and-forths, the forums, teach-ins, meetings and analyses, strategic
Planning sessions (But—but that would be capitulationism!),
And look at what it came to. I didn’t even vote in 1968
(Chicago was too fresh), but on election night I found myself
Nostalgic for the Hump, only by then it was too late.
Its nice to think it might have made a difference,
But thats just wishful thinking: money finds a way,
And if it wasnt Nixon . . . Too much has gone
To be restored, and as for money = speech, its a joke:
The silence in what people used to call the streets
Is deafening, all talk is on the radio, as money
Quietly wraps its hands around the countrys throat.
I wonder what Larry, my general contractor, Jeff,
My carpenter, Jerry, who (occasionally) did the plumbing,
Made of all the posters. They couldnt be more friendly,
But Wisconsins a peculiar stateLa Folletes vs.
Tail-Gunner Joe, the sewer socialist mayors of Milwaukee
And the park where Hitler lovers rallied. I’m not sure
I could explain them in a way they’d understand
(See, there were these demands), but then theres Mitch,
The landscape guy, whose countercultural compulsion to explain
Is straight from Paul and Jonny. Its beautiful out here,
I feel alive and out of it, from the aisles of the Piggly Wiggly,
The World of Variety, to the steps of the Unique Cafe,
The shelves of Gasser Hardware. Driving through the vast
Obscurity beyond the city, it suddenly seems so clear,
Though the clarity is probably deceptive, as clarity often is:
Beyond the signs for prefab homes (I bought one),
Prolife billboards with a baby floating in what looks like
Amniotic fluid (Before I formed you in the womb I knew you),
Madmen on the radio denouncing Baptists and Freemasons,
Lie the streams, the rivers, the steep, unglaciated hills.
You couldnt climb them (would you want to?),
But its comforting to know theyre there. We live in different
Dream worlds, wandering through a wilderness of words,
While the real story writes itself in silence. Its forty years ago,
Its yesterday, and when I try to think of what those posters represent
I realize theyre footnotes, surface irritants that left the underlying
Language undisturbed. Their meaning is the interval between the times
Of then and now, the times of looking forward and of drifting back.
They flash upon that inward eye, and then theyre gone,
Im sitting in a room, Im looking at the trees, unsure if this is
Something other than another version of The Big Chill,
A movie I despise. I hope it is. I saw Paul not too long ago—
Hes mellowed, everyone has mellowed, mellow
Is a word for disappointed. The sixties had their charms
But patience and contentment weren’t among them.
It was a brief, imaginary time, swept along by anthems
And guitar heroes, when tomorrow had arrived,
The air was filled with specious possibilities,
All the demands were just, the kids kept calling
For the Red Army, and rotc killed.
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John Koethes most recent book of poems, Ninety-Fifth Street, received the Lenore Marshall Prize from the Academy of American Poets.
John Koethe,
North Cambridge
Hamlet
Robert Hahn,
A Waiting Heart: Sallys Hair by John Koethe
"the calm elation, the deflating sigh: the trees are tossing in the wind." To speak of one's experience as we speak of the Spirit, John 3:8. Towards the uncertain ends of grace and justice, and perhaps (we wish or pray?) to be reborn into truer sense of belonging to the world and to each other; but the grim truth of the matter is, I am no christer either, am in fact a resolved unbeliever, although i sometimes feel my way forward in this language because i suppose it is the language of a people's longing, history's dream language, yes. You lured me in with the title of course, because we live in a time of confrontation again, which is everytime really; and i have my own ambiguous experiences and divided loyalties along these lines-- having been a soldier myself, and having also stood in these marches to oppose this or that war, i have found myself aware of how strange we all become in these gathering forces, in our imprecise and numberless gestures, in our occasionally arbitrary identities. I used to tell myself that the essential point of this, of all of it, was to be a Witness. To what, i'm not sure anymore. I've been reading that Tom Pynchon, Vineland thru Inherent Vice, drifting back and forth across America's dream history, and i feel like your poem also jives with this. A sort of beautiful hopeful helplessness that is maybe our people's covenant, maybe our wisdom; goofy heartbreak of the american dream-language, the american yearning, which perhaps is not without its dignity. Anyway, thanks for writing.